These are my favourite Tokyo photography spots from just over a week in the city, all shot with the most minimal camera setup I've ever travelled with: the LUMIX S9, a tiny Sigma 24mm f3.5 and two LUMIX f1.8 primes. This guide covers Shibuya Crossing from above and from the middle of the scramble, a quiet local neighbourhood with a famous blue hour view, and quick introductions to my Tokyo Tower photography guide and Shinjuku street photography guide, which each have their own posts because I ended up with far too many photos for one.
My minimal Tokyo camera setup
This was the final part of my Japan trip, after Osaka and Kyoto (you can watch my Osaka vlog and Kyoto vlog too). I wanted something small enough to carry all day, every day, so I kept it to the LUMIX S9 and three primes. I bought the Sigma 24mm f3.5 second hand at a camera store in Tokyo, because the S9's pancake lens is such a good size but manual focus isn't much fun for street photography. The Sigma is autofocus, tiny and light, and I loved shooting with it. I also packed the LUMIX S 85mm f1.8 for telephoto shots and, of course, the LUMIX S 35mm f1.8, because I can't leave the house without a 35. Hear about my setup. If you're curious about the little Sigma, I go into it more in my Sigma 24mm, 35mm and 45mm review.
- Camera: LUMIX S9
- Wide: Sigma 24mm f3.5 DG DN (street, cityscapes, environmental portraits)
- Everyday: LUMIX S 35mm f1.8 (portraits with more background separation)
- Telephoto: LUMIX S 85mm f1.8 (shooting down from above, isolating people in crowds)

LUMIX S9 + Sigma 24mm f3.5 DG DN.

LUMIX S9 + Sigma 24mm f3.5 DG DN.
Shibuya Crossing from above
Shibuya Crossing is the classic Tokyo photo spot, and the best way to photograph it is from above. We headed to the Starbucks at the crossing, which has great views straight down onto the scramble. I had the 85mm on, so I could pick out single people and little moments instead of only shooting the chaos. I kept an eye out for subjects I could isolate in the frame: someone with an umbrella, a person in red, a cyclist weaving through. Watch me shoot Shibuya Crossing.
I don't normally shoot in harsh light when I'm travelling, but I ended up really liking how these turned out. The midday sun gives you hard shadows and bright highlights on the crossing stripes, which works really well when you're looking straight down at people.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.


LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.


LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.


LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.
Afterwards we walked into the side streets around Shibuya, which are packed with signs and colour.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Disposable Film preset.
Portraits in the middle of Shibuya Crossing
Later in the afternoon we went back down to street level and took portraits of each other right in the middle of the scramble with the 24mm. You only get a short window while the lights are green, so plan your pose before you step out, take a few frames and keep walking. The wide lens lets you fit in the buildings and screens behind, which is what makes it recognisable as Shibuya.

LUMIX S9 + Sigma 24mm f3.5 DG DN. Edited with my Disposable Film preset.
Unedited
Edited with Disposable Film
Unedited on the left, edited with my Disposable Film preset on the right. LUMIX S9 + Sigma 24mm f3.5 DG DN.

LUMIX S9 + Sigma 24mm f3.5 DG DN. Edited with my Disposable Film preset.


LUMIX S9 + Sigma 24mm f3.5 DG DN. Edited with my Disposable Film preset.

LUMIX S9 + Sigma 24mm f3.5 DG DN. Edited with my Disposable Film preset.

LUMIX S9 + Sigma 24mm f3.5 DG DN. Edited with my Disposable Film preset.

LUMIX S9 + Sigma 24mm f3.5 DG DN. Edited with my Disposable Film preset.
Subway stations are photo spots too
Don't put your camera away when you go underground. Tokyo's stations have strong lines, glowing signs and endless people moving through them, and a wide lens on a small camera means nobody really notices you. I love slowing the shutter a little for some motion blur on the escalators.

LUMIX S9 + Sigma 24mm f3.5 DG DN.

LUMIX S9 + Sigma 24mm f3.5 DG DN.

LUMIX S9 + Sigma 24mm f3.5 DG DN.

LUMIX S9 + Sigma 24mm f3.5 DG DN.

LUMIX S9 + Sigma 24mm f3.5 DG DN.
Tokyo Tower
Tokyo Tower was the photo I wanted most on this trip, both from street level with the tower peeking between buildings and from a viewpoint at blue hour when the lights turn on. Last time I came to Tokyo we went to a viewpoint on a full moon and they didn't turn the tower lights on at all, so I had something to make up for. I've put all of those photos, my favourite street spots and what it costs to get into the viewpoint in my Tokyo Tower photography guide.

LUMIX S9 + Sigma 24mm f3.5 DG DN. Edited with my Disposable Film preset.
Shinjuku
We spent a full day in Shinjuku visiting vintage camera stores and wandering. There's a quieter street a short walk from the heart of Shinjuku with ramen shops and huge vertical signs that was perfect for portraits, plus a lantern-filled alley and some of the busiest crossings in the city. It's all in my Shinjuku street photography guide.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.
Shiinamachi: a local neighbourhood and a famous blue hour view
On our last evening we went to a much quieter neighbourhood near Shiinamachi Station. There's a famous view of a seafood izakaya on a corner that glows at blue hour, and that was the photo I came for. But sometimes when you come to a photo spot, it's nice to take that famous photo, and then explore around the area to get the extra photos. Ninety nine percent of the time I'm happier with the extra photos than the photo spot photo. Hear why I always explore around a photo spot.
We arrived a bit early, so I used the time for street photos. The yellow trains, the level crossings and all the people on bikes made it feel like a completely different Tokyo to Shibuya and Shinjuku.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.


LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.


LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.


LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.
Photographing down on the street with an 85mm
From a raised spot near the railway I switched to the 85mm and took intimate little shots of people walking, cycling past the restaurants and the small streets below. At one point I got four people in a row on bikes in the middle of the road, and even two cute pigeons on a rooftop. Golden hour light made everything glow, although the wind kept knocking me around. Watch the 85mm street photos.


LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Havana preset.


LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Havana preset.
The blue hour izakaya shot
We nearly left before blue hour because we were exhausted and had a 4am wake-up for DisneySea the next morning. There were literally ten minutes to go, so we stayed, and I'm so glad we did. Once the signs and lanterns are on and the sky turns blue, the whole corner glows. I shot it on the 35mm first and then the 85mm for a tighter crop of the building. See the blue hour shot.

LUMIX S9 + LUMIX S 35mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Havana preset.
Unedited
Edited with Havana
Unedited on the left, edited with my Havana preset on the right. LUMIX S9 + LUMIX S 85mm f1.8.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Havana preset.

LUMIX S9 + LUMIX S 85mm f1.8. Edited with my Havana preset.
Taking a small camera everywhere
The thing I loved most about this minimal setup is that I took the camera to places I normally wouldn't. We even brought the S9 and the little 24mm to Tokyo Disneyland, because it's autofocus and small enough to throw in a bag. Watch the Disneyland part. If you're choosing a small camera for travel and portraits, I compare the S9 with a few others in my best beginner camera for portraits post.
For more Japan, see my Kyoto travel photography guide, my Nara day trip and my older LUMIX S5II street photography in Tokyo post.
Tokyo photography spots FAQ
Where is the best place to photograph Shibuya Crossing from above?
We went to the Starbucks right at Shibuya Crossing. The windows look straight down onto the scramble, which is perfect with an 85mm.
What lens should I bring to Tokyo?
A wide prime for streets and cityscapes plus an 85mm for shooting down from above. I used a Sigma 24mm f3.5, a LUMIX 35mm f1.8 and a LUMIX 85mm f1.8 on the LUMIX S9.
Is it okay to take portraits in the middle of Shibuya Crossing?
Yes, just be quick. Plan the shot before the lights change, take a few frames while you cross and keep moving with the crowd.
Where is the blue hour izakaya photo spot?
It's a seafood izakaya on a corner near Shiinamachi Station. Arrive before sunset, explore the neighbourhood and wait for the signs to light up at blue hour.
Is harsh midday light bad for street photography in Tokyo?
Not always. Shooting down on crossings in harsh light gives you strong shadows and graphic shapes. I don't usually shoot in harsh light, but I loved these.
I edited the Shibuya photos with my Disposable Film preset and the Shinjuku and Shiinamachi photos with my Havana preset. I hope this helps you plan your own Tokyo photo walks. Next, read my Tokyo Tower photography guide and Shinjuku street photography guide. Browse all my packs in the Lightroom Presets for Portraits collection, and if you're stuck between a few, you can buy any 3 presets and save 10%.
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